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    <title>Blog is a Mix Tape</title>
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    <updated>2008-04-28T15:40:32Z</updated>

    <author>
        <name>Jason</name>
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    <id>tag:vox.com,2006:6p00c10e0f6f1fd3b4/tags/feministing/</id>

    <subtitle>rumor has it, a blogger once lived here.</subtitle>


    
    <entry>
        <title>explorers</title>
    
    
    
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        <published>2008-04-28T08:01:30Z</published>
        <updated>2008-04-28T15:40:32Z</updated>
    
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            <name>Jason</name>
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            <p>It was a get the hell outta Dodge type weekend and Anna and I did just that. It was a lovely two days of laughter and full bellies and sand and water and good conversation and reconnection. This used to be such a common thing for she and I. There was a time when a weekend didn&#39;t go by without us spending the vast majority of it in a car off to some random location. And so, while the <a href="http://www.reuters.com/article/entertainmentNews/idUSN2641346220080428">9th Coachella</a> scorched and delighted the young folks in the desert, we slightly less young folks headed in the opposite direction to Ventura and Santa Barbara looking for adventure.</p><p>&quot;Take risks,&quot; I&#39;d exclaim to Anna for no good reason and, we did. We took strange off ramps that led to unfamiliar locales like Santa Claus Lane. We ventured closely to a hippie-infused drum circle. We dared walk piers with no rails. Our trusty companion, Curtis the crab, tempted fate in the mouth of a whale. We nervously walked an unfamiliar path where lizards were afoot. We even stood toe to toe with red faced douche bags and lived to tell the tale.</p><p>Our greatest feat, however, may have been simply being two people of color in communities of seemingly endless waves of white people.</p><p>I say this with tongue firmly in cheek but the last of the internet I saw before we left on our adventure was <a href="http://twitter.com/slamhita/statuses/797873202">this twitter by the baddest chick</a> --<br /><blockquote><p>
    		
    		  Heart-broken: <a href="http://tinyurl.com/5egpso" target="_blank">http://tinyurl.com/5egpso</a><br /></p></blockquote>Which led me to the <a href="http://www.feministe.us/blog/archives/2008/04/25/i-guess-its-a-jungle-in-here-too-huh/">brewing controversy</a> around <a href="http://sealpress.com/home.php">Seal Press&#39;s</a> latest publication, <a href="http://sealpress.com/book.php?isbn=1580052266"><em>It’s a Jungle Out There: The Feminist Survival Guide to Politically Inhospitable Environments</em></a>, and the illustrations that hide within. Now, to be clear, I&#39;m not offended by the imagery. As I get older, I find very little truly offends me. It&#39;s wrong-headed, sure. It&#39;s insensitive, of course. It shows that Seal Press is courting a certain audience -- white feminists -- and really ain&#39;t thinking about nobody else? Yup, sure does. But offensive? Nah. Just bad business. I&#39;ll take a cue from <a href="http://profbw.wordpress.com/2008/04/26/why-seal-press-is-off-the-syllabus-pt-2/">WOC PHD and just refrain from purchasing anymore of their books until they get their house in order</a> even if that means I won&#39;t be able to support in cash money people I <a href="http://www.rachelkramerbussel.com/">know</a>, <a href="http://www.feministing.com/samhita.html">enjoy</a>, <a href="http://pandagon.blogsome.com">respect</a>, and <a href="http://www.feministing.com/jessica.html">admire</a>.</p><p>I tell you all this to give you insight into where my head was as we made our excursion to seemingly lighter pastures. In Downtown Ventura, we stopped for lunch at a cafe with a wonderful view of Main Street. Anna and I quickly noticed that the few brown people we did see were working as wait staff and not out enjoying the gorgeous day with the rest of the community. We went nearly 20 minutes watching dozens of people walk in front of us. Pigmentation was low. It became a game. I saw a gentleman darker than me across the street and pointed him out excitedly. And at that moment, as if we were on <a href="http://www.transparencynow.com/trusig.htm">The Truman Show</a> and Christof had yelled, &quot;cue the coloreds,&quot; an Asian woman and a Latino couple crossed paths in front of us at the same time.</p><p>We cracked up.</p><p>As we walked through downtown after lunch and then made our way up to Santa Barbara, we began to notice how few people &quot;who looked like us&quot; we saw. It was as if we were explorers in a strange land. The primarily white drum circle became a local ritual of the natives that we didn&#39;t quite understand. The beach and ocean became the exotic &quot;nexus of nature&quot; where these &quot;savages&quot; must come to lay blessings to their gods. Obviously, a primitive sand sculpture was some kind of totem showcasing the complexities of their archaic mythologies. We remarked on how stoners greeted each other in the street (they introduce themselves at the end of the conversation instead of the beginning and smell of odd oils. Anna claims it is called &quot;patchouli&quot; but that is such a ridiculous word that I believe she is pulling my leg.)</p><p>We even saw a Douche Bag (a particularly interesting tribe) get caught in the middle of the street with oncoming traffic in both directions.</p><p>Such an amazing sight it was!</p><p>On our way home, we discussed turning our adventure as explorers in the strange wilderness of the white man into a video or film, wondering if anyone would get the joke and the social commentary therein.</p><p>If they work for Seal Press, probably not.<br /><blockquote></blockquote> <p><strong>Current music: Yerba Buena – Colonial Mentality</strong></p></p>
        
    
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    <category term="feminism" scheme="http://negroplease.vox.com/tags/feminism/" label="feminism" />
    
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    </entry>

    
    <entry>
        <title>Song of the Week: International Players Anthem</title>
    
    
    
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                <id>tag:vox.com,2007-04-28:asset-6a00c10e0f6f1fd3b400cd972560404cd5</id>
        <published>2007-04-28T04:16:51Z</published>
        <updated>2007-06-09T16:57:16Z</updated>
    
        <author>
            <name>Jason</name>
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 <div>This is my favorite song right now by far.<br /><br />This is my penance:<br />--------<br />AUTHOR: Jason Toney<br />TITLE: Bitches Ain&#39;t Shit but Hoes and Tricks: Sexism, Feminism and Denial in hip hop<br />STATUS: Publish<br />ALLOW COMMENTS: 1<br />CONVERT BREAKS: __default__<br />ALLOW PINGS: 1<br />CATEGORY: pop diatribe<br /><br />DATE: 03/21/2004 02:38:16 PM<br />-----<br />BODY:<br /><em>&#39;Never lettin&#39; ya leave, never lettin&#39; ya go&#39;</em> - <strong>Amerie, Can&#39;t Let Go (All I Have)</strong><br /><br />Early in Chris Rock&#39;s <strong>Black Ambition Tour </strong>set, he jokes about his uncomfortable relationship with hip hop. Especially now that he has a daughter, he thinks more about the words. He notes, however, that women are always the people that seem to get the most amped when those misogynistic songs blare through the speakers. The lyrics could be <br /><br /><em>Stick it in her ass<br />Stick it in her ass<br />Hoes always love it<br />When you stick it in they ass</em><br /><br />and what is seemingly every woman in the club saying as they grind up on their man or dance with their girls? &#39;That nigga ain&#39;t talkin&#39; about me. Shiiiit. Holla!î<br /><br />In LA, it&#39;s pretty much standard that you must rock something from the Snoop Dogg/Dr. Dre Chronic era in your old school set at the hip hop club. Probably the most misogynistic song on either the <strong>Doggystyle</strong> or <strong>Chronic</strong> albums is <em>Ain&#39;t No Fun (If My Homies Can&#39;t Have None)</em>. Nate Dogg sings the smoothed out chorus over a silky 70s style soul loop on a song about passing a woman around like she was a joint. <br /><br />The girls go wild. Every damn time. They laugh. They joke. They high five. &#39;That nigga ain&#39;t talkin&#39; about me. Shiiiit. Wesst Side bitches. What?!î<br /><br />The key women in hip hop seem to only broach the subject of this rampant sexism by suggesting their own sexual dominance. Missy Elliot&#39;s most recent hits all deal with her demands of men in the bedroom. On Ghostface Killah&#39;s <em>Tush</em> she says, <br /><br /><em>I really like you baby<br />Do you know how to wife this lady?<br />Give me what I want don&#39;t talk don&#39;t touch<br />Unless you got a bank account to make my face blush<br /><br />Now shush<br />Eat my bush<br />And I can give you what you want<br />Make a wush</em><br /><br />The implication being that she&#39;s as sexually aggressive as the men and, unless you&#39;ve got the money to back up your bravado, you better do what she asks. That&#39;s great and all and I love a strong, sexually aware person but shouldn&#39;t women be demanding that same respect outside the bedroom? Li&#39;l Kim and Foxy Brown have never gotten past the sex as a weapon ideology either. According to them, the only power women have is in the pussy.<br /><br />Jean Grae and Ms. Dynamite aside, is the most accessible feminist voice in hip hop a man? Talib Kweli regularly broaches the subjects on his records. He consistently looks at the plight of black women in the world, if not in hip hop specifically, and rarely, if ever, makes sweeping generalizations about women in his word choice and metaphor. Is there anyone else out there challenging hip hop, challenging young black minds to consider women as something other than hoes, tricks, chickenheads, your baby&#39;s mamma, or big mamma?<br /><br />Maybe it&#39;s Erykah Badu whose <strong>Worldwide Underground</strong> album might be the preamble to the future of hip hop anyway. From the outset, she has been a soul singer intricately tied to her love of hip hop. She challenges the hip hop generation to always re-evaluate what is accepted as true. On the single from Worldwide Underground, <em>Danger</em>, she looks at a common archetype in hip hop, the drug dealer, and showcases what the woman at home is doing while he&#39;s away or on lockdown. No hoes or tricks here just a strong woman taking similar risks as her partner whether she gets acknowledged for what she does or not.<br /><br />But, perhaps, the truest commentary on where women in hip hop are takes place later on her album on the <em>Love of My Life Worldwide</em> remix. The guests on the track are Bahamadia, Queen Latifah, and Angie Stone - 3 powerful female MCs who haven&#39;t put out relevant commercial hip hop releases in 5, 10, and 20 years respectively.<br /><br />But the ladies in the club are dancing and cheering. &#39;That nigga ain&#39;t talkin&#39; &#39;bout me.&#39;<br /><br />Who is that nigga talking about then?<br /><br />&#39;Excuse me, miss. What&#39;s your name?&#39;<br />-----<br />EXTENDED BODY:<br /><strong>Related:</strong><br /><a href="http://www.hiphopmusic.com/archives/000468.html">hiphopmusic.com: Hip Hop Blogs - Blind to Gender Issues?</a><br /><a href="http://dieselnation.blogs.com/hiphop/2004/03/hiphop_hates_wo.html">diesel nation: Hip Hop Hates Women</a><br /><a href="http://www.lynnedjohnson.com/diary/000312.html">a day in a life: Black Females are Valued by No One</a><br />-----<br />EXCERPT:<br />That nigga ain&#39;t talkin&#39; &#39;bout me. Holla!<br />-----<br /><br /><strong>Bonus</strong>: <a href="http://feministing.com/archives/006915.html">Samhita sez</a><br /><br /><strong>Double Bonus</strong>: The entirety of <a href="http://video.google.com/videoplay?docid=-2020029531334253002">Beyond Beats and Rhymes on Google Video<br /></a><br /></div>
        
    
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    <category term="hiphop" scheme="http://negroplease.vox.com/tags/hiphop/" label="hiphop" />
    
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    <entry>
        <title>speakeasy: &quot;Courtship&quot; Blogging</title>
    
    
    
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                <id>tag:vox.com,2007-03-14:asset-6a00c10e0f6f1fd3b400d4142856b53c7f</id>
        <published>2007-03-14T22:56:44Z</published>
        <updated>2007-03-14T22:56:44Z</updated>
    
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            <name>Jason</name>
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            <blockquote><p>Women&#39;s magazines such as Redbook and Glamour are not ghettoized or
marginalized. They get tons of money to endorse their product and
image. And perhaps they are pushed into the realm of women-only
consumption, but quite frankly, I am not working to push that type of
feminine aesthetic. One of the main reasons they get the money they do,
and explicitly feminist publications don&#39;t is because, the latter feed
into patriarchal ideas of how women should look, act, think and feel.<br /></p></blockquote><p>- <a href="http://feministing.com/archives/006690.html">Musings on the &quot;Courtship&quot; Blogger</a> by Samhita Mukhopadhyay, feministing.com, 03.14.07<br /> </p>
        
    
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    </entry>

    
    <entry>
        <title>one line: sex and computational tech</title>
    
    
    
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                <id>tag:vox.com,2007-03-13:asset-6a00c10e0f6f1fd3b400d09e5be562be2b</id>
        <published>2007-03-13T19:35:55Z</published>
        <updated>2007-03-13T19:35:55Z</updated>
    
        <author>
            <name>Jason</name>
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            <p><a href="http://feministing.com/archives/006685.html">Along with creating interfaces he has also helped design a sex toy charmingly titled the </a><a href="http://feministing.com/archives/006685.html">virtual hole</a><a href="http://feministing.com/archives/006685.html"> and the virtual stick.</a> </p>
        
    
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    <category term="sxsw" scheme="http://negroplease.vox.com/tags/sxsw/" label="sxsw" />
    
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    </entry>

    
    <entry>
        <title>@sxsw: Do You Blog on the First Date?</title>
    
    
    
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                <id>tag:vox.com,2007-03-13:asset-6a00c10e0f6f1fd3b400d41421887a685e</id>
        <published>2007-03-13T14:47:54Z</published>
        <updated>2007-05-09T07:10:13Z</updated>
    
        <author>
            <name>Jason</name>
            <uri>http://negroplease.vox.com/?_c=feed-atom-full</uri>
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            <p>I am fiending for <a href="http://www.feministing.com">Samhita</a>&#39;s discussion of <a href="http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060147">this panel</a> as this, <a href="http://www.rachelkramerbussel.com">Rachel Kramer Bussel</a>&#39;s wonderful participation notwithstanding, was both the worst and most enjoyable panel experience I had as an audience member at SXSW.</p><p><strong>The scene</strong>: Room 10AB on the third floor of the convention center, 5 women (all white), all claiming to be bloggers (I think I&#39;d only put <a href="http://lustylady.blogspot.com">RKB</a> in that category), all paid sex columnists (again, RKB&#39;s experience puts her on a different playing field), all not very connected to this wired/interactive world and me sitting next to a fuming poorly compensated brown feminist whose head nearly exploded with each panelist comment. About halfway through the panel, I couldn&#39;t even look at Sam. I would just put my hand out and whisper, &quot;Be easy&quot; and try my best to stifle my guffaws and chortles. </p><p>Now let me preface this by saying that I have no quarrel with the concept. There is a long history of sex being an important part of SXSW. My first year here, I spent a good amount of time at parties with <a href="http://www.cockybastard.com">Halcyon</a> and <a href="http://www.tassypink.com/">Tassy</a>. The <a href="http://2007.sxsw.com/interactive/programming/panels/?action=show&amp;id=IAP060218">Sex and Computational Technology</a> panel the day before was one of the most academic experiences I&#39;ve ever had. I also see value in hearing from bloggers who are paid for their craft and am quite curious about how relationship dynamics get played out when you throw our online identities into the mix. In fact, I&#39;ve been thinking a lot about that as a couple I know has been dealing quite publicly with a tough time in their relationship. I&#39;ve also seen blog nerds here talk about how they met online via blogs and are married now or in a committed relationship.</p><p>Hell, I&#39;m pretty sure <a href="http://www.minjungkim.com/2007/02/27/news/">MJ and Jason&#39;s wedding</a> will be liveblogged or twittered.</p><p>The problem here is that this was a nuts and bolts conversation about how traditional media sex writers are navigating their traditional media forays into the digital space. RKB snuck in an anecdote or two about same sex relationships but this was an entirely white hetero, traditional relationship kind of situation with people not talking very much about &quot;interactive&quot; issues. There was the bold and inaccurate statement that men aren&#39;t blogging about dating and sex (and when did those two words become synonymous?) which completely ignores gay bloggers (I can name 5 gay bloggers [of color] off the top of my head who have very publicly talked life and love...in fact, with sexuality as a key identity factor for them in their online spaces, those topics are maybe the crux of their blogs), spiritual bloggers (for whom romantic love, sex, etc. are significant factors in their faith based lives and online identities), teens who might have entirely online romantic relationships in spaces like myspace, facebook and livejournal, and on and on.</p><p>To put it plainly, I was mortified.</p><p>And I didn&#39;t even go into the panel looking for that kind of commentary but for it to be so blatantly unacknowledged and innacurately portrayed blew my mind.</p><p>I wanted more discussion of relationship dynamics in the online world. I&#39;ve written occasionally about relationship stuff (both in the courtship and erotic senses) over the years and I know of situations where people have battled online about their love. Is this helpful or harmful? Are there any thoughts about how the online world effects intimacy? Does writing about sex and love online change the power dynamics in a relationship? If you&#39;re a better writer than your blog love partner, do you win more arguments, get resented, unfairly have an advantage? Does online writing about sex and relationships allow for more cross-cultural understanding in inter-(pick your term) relationships?</p><p>Discussions of editorial battles, statements like &quot;women are bitches&quot; and generalizations about this creature known as man earn you no kudos here. Let&#39;s get deeper.</p><p>Please. </p><p>Before Sam&#39;s head explodes.<br /> </p>
        
    
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    <entry>
        <title>@sxsw: The Ramble</title>
    
    
    
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                <id>tag:vox.com,2007-03-12:asset-6a00c10e0f6f1fd3b400cd9719c9f74cd5</id>
        <published>2007-03-12T21:27:22Z</published>
        <updated>2007-03-16T16:44:58Z</updated>
    
        <author>
            <name>Jason</name>
            <uri>http://negroplease.vox.com/?_c=feed-atom-full</uri>
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            <p>I&#39;ll come back to a lot of the things I&#39;m going to touch on here more deeply later (particularly <a href="http://www.twitter.com">twitter</a>, the digital ethnorati panel, and the new &quot;online identity&quot; conversations) but here&#39;s what my very tired brain is thinking about:<br /><strong><br />Twitter</strong>:<br /><ul><li>How did I stay connected to people at <a href="http://2007.sxsw.com">SXSW</a> before twitter?</li><li>I do have unlimited text on my phone, right?</li><li>Twitter is not for your personal conversation. Let&#39;s try a one interaction AB conversation (and use the @username convention) and not AB AB AB AB AB AB where I don&#39;t know if you&#39;re talking to me or not. Remember we don&#39;t all have the same friends. We do still have IM and Direct Message and E-Mail for that.</li><li>It is not rude to stop following someone.</li></ul><strong>People</strong>:<br /><ul><li><a href="http://www.feministing.com/samhita.html">Samhita</a> and <a href="http://www.swirlspice.com/">Erica</a> are some of my new favorites. Get Familiar.<br /></li><li><a href="http://lainad.typepad.com">Laina</a> and <a href="http://msjen.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00c2251c44d4604a" at:screen-name="Ms. Jen" at:delegate="people-connect" at:user-pic="http://up4.vox.com/6a00c2251c44d4604a00d09e4c660abe2b-75si" >Ms Jen</a> are now officially part of my sxsw inner circle</li><li>I&#39;m awfully excited I finally got to meet <a href="http://roxanne.typepad.com">Rox</a> and <a href="http://www.rachelkramerbussel.com">RKB</a> in person</li><li>It&#39;s nice being able to talk work stuff with work friends like <a href="http://lafreebie.blogspot.com/">Amy</a> and <a href="http://cruftbox.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00c11413da59819d" at:screen-name="cruftbox" at:delegate="people-connect" at:user-pic="http://up1.vox.com/6a00c11413da59819d00c11413da5d819d-75si" >Cruftbox</a> at SXSW</li><li><a href="http://allaboutgeorge.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00bf76d0a5ec4383" at:screen-name="allaboutgeorge" at:delegate="people-connect" at:user-pic="http://up4.vox.com/6a00bf76d0a5ec438300cd970b294d4cd5-75si" >George</a>, <a href="http://lynnedjohnson.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00c225239b588e1d" at:screen-name="Lynne d" at:delegate="people-connect" at:user-pic="http://up0.vox.com/6a00c225239b588e1d00cdf7e232a5094f-75si" >Lynne</a>, <a href="http://tiffanybbrown.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00c11414f98e5af5" at:screen-name="tiffany" at:delegate="people-connect" at:user-pic="http://up6.vox.com/6a00c11414f98e5af500ccff8abc4f6731-75si" >Tiffany</a>, <a href="http://drublood.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00c2251e0da68e1d" at:screen-name="Lainie" at:delegate="people-connect" at:user-pic="http://up6.vox.com/6a00c2251e0da68e1d00cd9711c2704cd5-75si" >Lainie</a>, and <a href="http://tracyshaun.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00cd9789c6ebf9cc" at:screen-name="tracyshaun" at:delegate="people-connect" at:user-pic="http://up3.vox.com/6a00cd9789c6ebf9cc00d10a7d17d38bfa-75si" >Tracy</a> are all my ace #1 peoples but you know this</li></ul><strong>Parties (one word thoughts)</strong>:<br /><ul><li><a href="http://www.buzzfeed.com">Buzzfeed</a></li><li><a href="http://www.juiceboxxx.com/">Juiceboxxx</a></li><li><a href="http://www.laist.com/archives/2007/03/11/tonight_in_rock_in_austin_rocket_quiet_company_blackholicus_golden_ax.php">Laist</a></li><li><a href="http://www.myspace.com/blackholicustheband">Blackholicus</a>!</li><li><a href="http://austin.about.com/od/lightning/Austin_Lightning_and_Thunderstorms.htm">Thunderstorms</a>!</li></ul><strong>Panels</strong>:<br /><strong><br />Business Side of Web Design</strong><br /><ul><li>I really need to come up with the &quot;Agency Constitution&quot; for my production team</li><li>I really need to form a production philosophy that we&#39;ll adhere to. A mantra, if you will (and not negative ones like &quot;No more phases&quot; and &quot;Not a production issue&quot;).</li><li>I don&#39;t have any design/agency/business role models. I should get some.</li></ul><strong>Emerging Technology and Social Trends</strong><br /><ul><li>Summary thought: Now that people have developed online identity, they are now seeking a sense of place and that often means at points where online and offline worlds intersect.</li><li>We really need to stop thinking about offline and online as separate.</li><li>public vs. private is still a huge (and unsolved) issue.</li><li>SF nerds name-check <a href="http://www.plazes.com">plazes</a> all the time but I don&#39;t think it has much average user application (or provides a service that people are clamoring for)</li></ul><strong>Every Breath You Take</strong><br /><ul><li>New etiquette rules really need to be established for online and mobile communication</li><li>Reputation, Identity, Presence, Nameplaces - these are my kinds of buzzwords</li><li>How does the desire for someone like me who wants a persistent online identity exist at the same time that many people (particularly young people) like the concept of disposable identity? Are their tools and applications that can make the web better for both types of folks? <br /></li><li>What about those who want no online identity but still wants the tools that are increasingly requiring identity creation?</li></ul><strong>Production 2.0</strong><br /><ul><li>Short form/online content creators are mostly thinking about how to navigate big media negotiation instead of thinking much about the new challenges they face as their content gets monetized (unions, guilds, talent, production value)</li><li>I don&#39;t know enough about the VLOG community</li></ul><strong>User Generated Content</strong><br /><ul><li>This requires it&#39;s own post.</li></ul><strong>The Digital Ethnorati (questions)</strong><br /><ul><li>Do we get to self define ourselves as the &quot;Ethnorati&quot;?</li><li>When unexpected communities begin using a tool in unexpected ways, is there a kind of &quot;byte flight&quot; where the intended/existing community leaves for other options? (See <a href="http://www.orkut.com">Orkut</a>, see <a href="http://www.fotolog.com/">fotolog</a>, See even <a href="http://www.friendster.com">Friendster</a>)</li><li>I&#39;m not sure I subscribe to the assumption that online access is for all (at least not in the &quot;a laptop in every living room, a broadband connection in every wall&quot; kind of way it was discussed here)</li><li>Are there companies thinking about technology tools from ethnic/geographic perspective? Who are they? Who is running them?</li><li>Aren&#39;t the tools being created from a commerce perspective different from the ones that academia and/or socially progressive organizations need in the communities they service?</li><li>Does perception matter in this case?</li></ul><strong>Dan Rather Keynote</strong><br /><ul><li>snooze</li></ul>(This isn&#39;t done but I want to get it live. Many many links to come)<br /> </p>
        
    
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    </entry>

    
    <entry>
        <title>@sxsw: Bridging the Online Cultural Divide</title>
    
    
    
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                <id>tag:vox.com,2007-03-10:asset-6a00c10e0f6f1fd3b400d41420e483685e</id>
        <published>2007-03-10T21:55:09Z</published>
        <updated>2007-03-10T22:21:49Z</updated>
    
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            <name>Jason</name>
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            <p>I haven&#39;t seen many notes online yet about the panel but I think it went well. I met my goals of talking about socials tools that I like (vox, twitter) and why I like them (gating, persistent ID, groups, access levels, moderation). I didn&#39;t spill any work secrets but still got to talk about how community apps get thought about or not thought about when they are being developed, the role of setting rules, the difference between how news editors might deal with content and moderation vs. what a blog editor might or might not care about.<br /><a href="http://www.feministing.com"><br />Samhita</a>, <a href="http://www.lynnedjohnson.com">Lynne</a> and <a href="http://lainad.typepad.com">Laina</a> were, of course, amazing and I think we accomplished what we wanted. I got nods of appreciation from <a href="http://surfette.typepad.com/">Lisa Stone</a> and that&#39;s enough for me.</p><p>If you were there, I&#39;d love feedback. Via vox, IM, email or twitter.<br /><strong><br />unrelated</strong>: <a href="http://www.twitter.com">Twitter</a> is THE thing to talk about this year.<br /> </p>
        
    
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