Top Artists this Week (see more)
23 Mar 2008 – 30 Mar 2008
| 1 |
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Rhymefest |
| 2 |
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Gnarls Barkley |
| 3 |
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Danity Kane |
| 4 |
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M.I.A. |
| 5 |
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Madlib |
| 5 |
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Ghostface |
| 7 | Day26 | |
| 8 |
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Chris Joss |
| 9 |
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Jamie Lidell |
| 10 |
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MF DOOM |
Last Week's Purchases/Pick-Ups: DAY26's self-titled debut and
Since the logic of Gnarls Barkley’s lyrics is often framed in contradictory terms, why not begin discussing The Odd Couple with the last song. “What would be on your mind if you knew you was dyin’?”, Cee-Lo posits on “A Little Better”. The listener is left to answer: Regret? Pain? Relief? Joy? Funny how by simply removing the punctuation, those words cease to be four questions but one answer. Gnarls Barkley toils ever so soulfully in this complex confluence of emotions on The Odd Couple, their extraordinarily brazen follow up to 2006’s St. Elsewhere.
- Review by Christian John Wikane, Popmatters, 03.25.08
And, like Kyle suggested in his post today, I'm going to start spending more extended time with the music I purchase. I do this with albums that hit me immediately (most recently Burial's Untrue and Rhymefest's Man in the Mirror mixtape) but I buy an awful lot of music that doesn't get enough dedicated ear time. I go through once and rate as I'm a slave to my smart playlists but in the age of the individual song, that also means I rarely hear full albums with the songs in order as intended. So, this week, we're digging in to The Odd Couple. I'm on my second round right now.
Last.fm recommended: K.C. Accidental but I never did get a chance to listen so no last.fm randomness this week
Song of the Week:
I was a sucker for Danity Kane before them so why would I jump off the Making the Band train now? Of the two heavily produced albums, I think DAY26 has some really appealing and more likely hits than DK. I don't think it's as cohesive as Welcome to the Dollhouse but considering how calculating the process was for developing both of these new releases (which we got to see in all it's glory on the show) that's not saying much. Neither of these groups got to inject much of their own sensibilities as artists/musicians into the records released under their name. I'm not still naive enough to believe in the myths of pop music but that doesn't mean I like knowing that it is much more about the business than it is the music. Diddy and his Bad Boy brethren brazenly brandish their business acumen like a badge of honor. I might like these kids but, come on, let's not remove all the soul.