if it's the reclusive life that Burial seeks, he might just be his own worst enemy, because his new album, Untrue, bests Burial's fans' wildest hopes for the followup. Burial was a worthy, sometimes thrilling record-- an impressive debut-- but it sometimes lost focus, particularly when it attempted to carve out something closer to "proper," clubwise dubstep. But Untrue maintains the style and the vibe of the first album and yet does it better. It's a deeper album-- richer, more complex, more enveloping. The irony is that almost nothing has changed. Burial still makes his beats (at least, so he claims) with relatively lo-fi audio editing software, eschewing the comfort of sequencers and MIDI clocks. His string sounds, which on Burial let many a critic to call his music "cinematic," sound as unabashedly canned as they did last time, and his manipulated vocals-- warped, time-stretched, pitch-corrected-- are just as unabashedly emotive.
-Pitchfork Record Review (8.4/10), 11.13.07
I've only had this album for a week so I'm not ready to call it "Album of the Year" but it just might be. It's haunted me since the day I bought it (8.99 in the Amazon mp3 store, also available on eMusic) and I find my mind constantly returning to its complicated rhythms. Right now, it falls as #3 on my 2007 album chart.
It's just that good. When listening to this track, I want to sing along. I randomly break out in dance. I head nod. I listen intently. I listen casually. I listen all the time.
I haven't sat with the album enough to form a compelling review and maybe I'll get to that later. For now, I just want you to enjoy as I am.